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More Techniques for Effective Mapping

by Jim Mossman, Data Deja View


ArcUser July-September 2001
 

Editor's note: "Relief Mapping--Real-World Challenges," in the last issue of ArcUser magazine, described the steps Jim Mossman used to create a beautifully shaded relief basemap of Wyoming using the ShadeMax color palettes he developed as well as other tools available from the ArcScripts pages of the Esri Web site. This article describes techniques that made a shaded relief map of Northfield, Vermont, more effective.

Click to see an enlarged version of this map.

This map of a Vermont town was produced using ArcView GIS 3.2 and ArcView Spatial Analyst and XTools extensions available from the ArcScripts pages of the Esri Web site. Although data import, projection, and overlay tasks were performed using the ArcToolbox application in ArcInfo 8.0.2, those tasks could have been carried out using ArcView GIS.

The large datasets used for this map seriously challenged the author's hardware--a Dell Precision 410 with dual 400 MHz processors, 512 MB of RAM, and a 32 MB Diamond Fire GL1 AGP video card. This computer was running Windows NT 4.0 with Service Pack 6a. Printing was done on an Epson Stylus 3000 at 720 dpi using Epson drivers and ArcPress for ArcInfo.

The Town of Northfield, Vermont

Vermont towns are rather small. Using shaded relief exclusively within the town's borders would omit key terrain features that might help in visualizing the town's relationship to its surroundings. On the other hand, since the focus of this map is the town, the use of colorful shaded relief across the entire map area would distract the viewer from the map's subject. Ideally, subdued shaded relief in the areas outside the town would show the surrounding terrain and more colorful shaded relief within the city limits to focus attention on the town.

Dual Elevation Encoding

The strategic use of subdued and colorful relief mapping was achieved by using different color schemes within the same grid. The grid's elevations were modified so that separate elevation color sets could be applied to two areas of the map. This was accomplished by manipulating the elevation values selectively so that the focus area and surrounding area no longer shared common elevations.

  1. After starting ArcView GIS, loading the ArcView Spatial Analyst and XTools extensions, and creating a new project, two themes were added to a new view. One contained digital elevation model (DEM) data for the area, and the other, town.shp, showed the township boundaries.
  2. A rectangle was drawn on the view a little larger than the final map area using the ArcView GIS rectangle drawing tool. The XTools Graphic to Shape tool was used to convert the graphic rectangle to a shapefile. The rectangle encompassing the final map area was converted to a shapefile called maparea.shp and added to the view. (View illustration.)
  3. After choosing the Union Polygons tool from the XTools menu, maparea.shp and town.shp were combined into a new shapefile called mapunion.shp that contained both polygons from the source shapefiles.
  4. With mapunion.shp active, the table for the mapunion.shp theme was opened and made editable by choosing Table > Start Editing. A new field named elevation field was added by choosing Edit > New Field. This new field was specified as numeric with no decimal point.
  5. In the view, the town boundary polygon in the mapunion.shp theme was selected using the Select Feature tool. Returning to the mapunion table, a value of 10,000 (an elevation higher than any in the DEM theme) was inserted in the elevation field for the selected town boundary polygon. The elevation field for the other polygon was left with the default value of 0. The town polygon was unselected. After choosing Table > Stop Editing, the edits were saved.
  6. After making the mapunion.shp theme active, Theme > Convert to Grid was chosen. The output grid was named addgrid and was given the same cell size as the DEM. No fields were joined, and addgrid was added to the view. (View illustration.)
  7. The DEM theme was made active, and Surface > Compute Hillshade was selected to generate a hillshade of the DEM theme. The Map Calculator in ArcView Spatial Analyst was used to add the two grids together. The resulting files was saved as mapgrid.
  8. After loading two custom palettes from the DDV's ShadeMax Color Set, the SM01 Arizona Ochre and SM07 Smack Dab, a narrow range of very light colors from SM01 Arizona Ochre palette was used for elevations less than 10,000 feet. Above 10,000 feet the darker colors from SM07 Smack Dab were used for contrast. For more information on using the DDV's ShadeMax Color Set, see "New Color System Enhances Relief Maps" in the January–March issue of ArcUser magazine. (View illustration.)
  9. The hillshade previously created was added as a brightness theme by clicking on the Advanced button in the Legend Editor. In the Advanced Options dialog, the DEM hillside was selected from the drop-down box as the brightness theme, the minimum cell brightness was set to 90, and the maximum cell brightness was set to 100. Clicking OK applied these settings.

More Design Considerations

The light background of relief used for the area outside the town limits serves the same purpose as white space typically used in map composition. While this light background is not as effective as white space in calling attention to the main subject (the town), this compromise was necessary so that relief features outside the town could be included. The backgrounds of the legend and provenance insets were colored to harmonize with the surrounding map area so that they would not detract from the town itself. Because elevation values were important in this map, contour lines and spot elevations were included instead of an elevation legend. Contours were used only within the town boundaries, further drawing attention to the subject town.

Conclusion

Using the subtle colors in the DDV's ShadeMax Color Set and assigning multiple properties to a grid through elevation modification gave this relief map new usefulness. For more information about creating these maps, contact the author at ddvgis@myavista.com.

Resources

The Vermont Center for Geographic Information was the data source. Data Deja View's ShadeMax color set and the XTools extension are posted on the ArcScripts Web site.

About the Author

Jim Mossman worked for many years in the Vermont State government assisting a number of departments in the use of data processing from the early days of punch card machines up through mainframes to CAD and GIS systems. He has created and shared an extensive collection of ArcView GIS and ArcInfo marker symbols as well as color sets through the Esri ArcScripts site. Some of the color palettes he developed ship with ArcView GIS 3.2. Two other articles about making better maps using ArcView GIS have appeared in the January–March 2001 and April–June 2001 issues of ArcUser magazine.

Table of Contents for the July–September 2001 issue

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