ArcGIS Living Atlas

Shopping for the Map's Meaning

recently got involved with a project that mapped grocery store accessibility by scoring every census block in the United States by the number of grocery stores within a 10-minute walk and a 10-minute drive.  As the cartographer the challenge was to get all the layers to work, make sense, look good, and tell the results of the analysis as clearly and beautifully as possible.  There were four distinct areas of the map to think through.

The Cast

Capturing what grocery access means didn’t take just one layer, it took four.

There were two raster datasets:

  1. USA nationwide grocery store access within a 10-minute drive
  2. USA nationwide grocery store access within a 10-minute walk

Also two point feature classes:

  1. 53,000 grocery store locations
  2. 11-million U.S. Census Tracts analyzed for population and proximity to grocery stores by walking or driving

Four layers both vector and raster, with millions of records, all with unique needs that overlap and connect, yet also need to be separate too. Yes, we can!

The data in its raw form as a raster and point file unsymbolized in grey and black.
Raw data to display simultaneously - two rasters (left) and two point files (right).

#1 Multi Scale Mapping

This is an interactive online web map so its very different than designing for print.  Everything needs be understandable at multiple map scales from nationwide to city blocks.  There will also be labels, other reference layers, and new features with additional information appearing as you zoom in and out.

Plus the map’s subject changes depending on where you are looking so the styling needs to accommodate that.  Some areas might have a lot of overlapping or adjacent data, while in others it appears more isolated.  The cartography has to work for every situation.  Multiscale is multi-planning, multi-decision, and multi-testing!

 

The colors also needed to be viewable together at 1:3,000,000! 

Image showing that the data had to be viewable at large and small scales.

#2 Using Color Thoughtfully on Overlapping Layers

Transparency was not an option for this map and since the raster layers share the same geographic space (overlap), they had to look good together while also standing up on their own.  The color choice would be the most important factor in delivering the information so we decided to go with what the layers represent and selected blues and greens to honor the nature based side food (and those colors are just really pleasing to the eye).  We also thought since walking is considered GREEN energy it was also the intuitive choice for representing it.

By staying within the same area of the color wheel both layers look cohesive and like they belong together.

They also need to continuously go from light (less) to dark (more).  It was tricky (and several tries down the wrong path) but after careful thought it was possible.  Here are other things encountered: 

Breakdown of the color choices for the two raster palettes.

#3 Telling the Story

While making a map there’s a point when you really get to know the layer, the colors start unlocking their story, and you see the data values turning into meaning.  As cartographers we love this.

It was actually the lowest value “One store within a 10-minute drive” that carried the most weight or presence as it’s found all over the map at every scale.  Since it’s the predominant value the color must be liked a lot and I mean A LOT because it sets the map tone and will overpower the story if not treated with care.

The raster layers are also classified numerically by how many stores are found. This is where the art of balance come in.  The high values are not better or more important then the low values (and vice versa) so the palette was designed with that in mind.  No one color should seem more important.

Map showing how few stores there are in the Northern USA.
The light blue is able to highlight just how few stores there are in North and South Dakota, Montana, Nebraska, and Wyoming as compared to Minnesota and Iowa. The people that get their food from these stores really depend on them and you can see in some areas there's just one option.

As map makers we tend to look towards the places and experiences we know to tell the map’s story.

I live rural and have few grocery store choices. In fact in my town there is one main grocery store that is very important for my community.  When coming up with the palette we felt that the lowest possible value “One store within a 10-minute drive” should mimic the fragility aspect of only having only one grocery store around.  We built that into the map story by selecting a light-almost-fading-away-blue.  This way it’s present, but not distracting.  It intensifies in color around the cities but nowhere on the map does it take over.  All values are represented equally yet rank is implied.

Oppositely once the ramp goes up, anything after five stores means you have serious options.  Both palettes address that and you can see we were very conscious about the significance of the breaks and where the colors got applied knowing that their emphasis would help drive the subject matter of this map.

Explaining how the color ramps were decided and where to make the breaks.

#4 Styling Millions of Points

When I picture shopping in a store, see big bold primary colors with bright lights.  I started by doing research on grocery store logos and the color red seemed to stand out.  For the actual symbol I wondered if it should it be a classic cart, basket, or another symbol for food? 

Explaining elements of the symbol design compared to other ideas.

The last layer to style was the Census Blocks.  These are actually served as polygons, but you can set their symbology to be “Graduated Symbols” so their centroid is represented as a point.

Now, what kind of point symbol to use?  This was an opportunity to get a clever and take the literal expression of “Can you walk there?”.

A typical symbol for population is a circle/dot, except, when you look at the map you don’t immediately recognize that dots = people.  So why not make the symbol exactly what it is, a person symbol! 

Showing how the symbol looks as dots, or represented as people.
Dots as people or people as people?

There were are few things to think about to get this symbol to work: 

A graphic explaining why the human symbol was chosen and some design elements to think about.

Now the fun part.  Let’s have a look around the map! It is incredible to see where you need to drive to buy your food, and where you don’t.  How many options there are, and where there aren’t any.   

Redlands, California 

Several of the areas in Redlands that would be considered a 10-minute walk but have none or low populations within and around them. You must drive to these places.

Grocery access in Redlands, CA/

Taos, New Mexico

You really need a car if you are living in Taos to be able to buy your groceries, but you have a lot of choices.

Grocery access in Taos, New Mexico

Washington County, Maine 

In far northern Maine, each of these grocery stores provides vital food resources for their communities.

Grocery access in Washington County, Maine

Los Angeles, California

In the land of traffic and cars this is where you can walk to a store within 10-minutes.

Walkable grocery access in Los Angeles, CA

The State of Wyoming

Wow!  Look how few grocery stores there are in the entire state of Wyoming!

Grocery access in Wyoming.

Dallas/Fort Worth

In the sprawling Dallas-Fort Worth area a vast majority of the population are unable to walk 10-minutes to a grocery store.

NOTE: Yes the overlapping person symbol is too much/too many, but it is doing its job just for this image by showing the lack of convenient walking access for so many people to get food.

Dallas/Fort Worth showing few walking options to an area with massive population.

Resources 

What a journey right?  The best adventures offer exploration and cartography is like that for me.  Thank you to Jim Herries for bringing this project for collaboration. 

Behind the scenes 

Here are a few other ideas we had for palettes. 

This example with a dark base map version really pops out anything past five stores (where it moves to yellow) and it looks really cool.  But it’s just too dark and it doesn’t tell the story as well as it should.

Dark version of the grocery map that made the cutting room floor.
This map is neon and glows super bright like that grocery store you walk into late at night with your friends. It made the cutting room floor.

This was a promising version, but the feedback from early testing was the switch into yellow (once you got past five stores) was not intuitive. So, the quest went on to create something different, but we still felt that this tells the story very clearly and it is offered online as well. 

A more colorful version of grocery access, it is offered as well but not the main symbology.
You can easily see those areas that have more than five stores yellow to orange (serious shopping options!) and anything in turquoise-blue are very limited in their options.

This is our final version.  This one honors the analysis results, the colors are pleasing to the eyes, there is depth, subtlety, and an organic look and feel connecting us to this map.  It also does not look like water, which needs to be considered when using blue (there is a bit of teal in this blue so that helps too). Everything is present and nothing is overpowering.  You see the intensity, but nothing is pulling.  There is something about it that makes you want to explore, and that is the true goal of a cartographerto lure you into the map.

The final map palette!
The final palette on the map!

Please feel free to reach out to me with questions or comments.  Thank you!

About the author

With over two decades of GIS experience Emily has mapped elephants in Thailand, wildlife poachers in the Republic of Palau, land use related issues around Yosemite National Park, and active wildfire incidents for the State of California. Presently she is a Senior Product Engineer and Cartographer with the ArcGIS Living Atlas of the World where she styles and designs layers, maps, and apps with the Environment Team. When not making maps, she is a true geographer and loves traveling with her family.

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